“Who Run the World?” The Feminist Evolution of the Gothic Heroine
This piece argues "in written works produced in profound times of changing societal views, such as the late Victorian era, the popularity of women-centric tales such as Charlotte Perkins-Gilman’s The Yellow Wallpaper and Bram Stoker’s Dracula, have the heroine who either frees herself from her predicament or has the most important role in defeating the evil while the men of the story take a backseat, progressing the heroine from the conventional damsel in distress to an empowered woman in her own right capable of saving herself and others."